Let me introduce myself. My name is Kaori Takashima. I was born in Tadotsu town, kagawa Prefecture, Japan on September 22, 1984.
I am a first year student at Kagawa Junior College. My major is Infant Education.
My hobby is watching movies.
My home page address is:http://www.geocities.co.jp/CollegeLife-Labo/4001/2004/503029.htm
Visiting or living in Shikoku is something special, for this island has always been the spiritual sanctuary of the Japanese people. No other place in Japan has been visited by so many generations of people from all over the country.
They have often spent more than 60 days walking along the whole circuit of the eighty-eight temples that compose the longest, oldest and most popelar pilgrimage in Japan.
Even those who have arrived here in weariness of life, in unhappiness or weak health, have isially left the island with a lighter heart, more enlightened, and in many cases in improved health.
Though today the island is quite accessible and traveling around it can be very easy, some of the eighty-eight temples still remain very hard to reach.
This pilgrimage circling the island is nationally known as O-Shikoku-san, showing that "Dere old Shikoku Pilgrimage" is synonymous with this island and provides sanctuary to the soul of Japan. The scenes along the Shikoku Pilgrimage correspond well to what Shikoku offers-the Seto Inland Sea, the Uwa-kai sea, the Pacific Ocean, the green mountains that crown a large part of the island, cosy little towns and middle-sized cities that fringe the coasts.
Its climate is mild; the seas are bountiful; the land is fertile. Naturally local people have been content with their blessed island, even if it has remained underdeveloped since the 8th century. Until then the northern coast of Shikoku was among the first areas to enjoy civilization in Japan, as proved by so many archaeological findings.
Remote as it was for many centuries, however, Shikoku did not stand aloof but observed movements on the Inland Sea as an artery of Lapan's cultural, political and economic development. On the other hand, Shikoku Pilgrimage, Kompira worship and the Dogo Onsan Hot Spring spa have always drawn a large number of island of Honshu and neighboring Kyushu.
Naturally those visitors brought someting new with then each time, just as refugees and exiles from the capitals added color to the island's history. They were welcomed and sometimes the culture they brought here was carefully preserved or developed even long after being forgotten in its homeland - language, assets now peculiar to Shikoku have added another dimension rewarding travelers to this island.
A new type of attraction in Shikoku is the fruit of modern technology that the waves of development have finally brough here in the 1980's and 90's - the colossal bridges connecting Shikoku with the main island, pleasure resorts, theme parks, museums, skyline drives and relatively inexpensive golf courses. So the charm of Shikoku can rightly be called an exquisite coexistence of tradtion and modernity, nature and art.
Last but not least is a spiritual climate of Shikoku that has produced people like the father of the Shikoku Pilgrimage, who is often credited as a father of Japanese culture, the man who aired the idea of the Seto Ohashi Bridge, and two young men who turned out to be most instrumental in carrying out the modernization of Japan, opening Japan's door to the world as an independent nation. They were all rare cosmopolitans in Japanese history.
Takamatsu is the capital Kagawa Prefecture, which has taditionally been called the gateway to Shikoku , with the whole of the prefecture jutting out into the Seto Inland Sea like a porch.
JR Takamatsu Station next to Takamatsu Horbor is the terminal of the Kotoku Line for Tokushima Pref., the the Yosan Line for Ehime Pref. and the Dosan Line for Kochi Pref., while serving as the bus terminal to Tokushima, Matsuyama and Koshi City. Takamatsu Chikko just opposite JR station is the terminal of Kotoden trams to and from Kotohira, the seat of 'Kompira-san'.
The New Takamatsu Airport handles non-stop flights to and from Seoul, Korea.
Another place in Takamatsu apporopriate as a gateway to Shikoku is the Takamatsu Heiko Monogatari Historical Museum that features not only the famous historical literature called Heiko Monogatari but also about 50 great historical figures closely associated with Shikoku or native to Shikoku.
Takamatsu became the capital in 1587 with the advent of Lord Ikoma I as governor of Sanuki Province. The castle he built on the harbor was succeeded by 4 generations of his descendants, and then by 11 generations of Matsudaira lords, governing Takamatsu Province with a fief of 120,000 koku.
One ninth of the former castle ground is preserved as Tamamo Koen Park across the street from JR Takamatsu Station. The donjon is gone, but two of the 15 turrets and Mizute Gomon Gate from the 17th century (Important Cultural Properties) survived the air raid in 1945. Admission:100yen
Traditionally the popular sightseeing spots in Takamatsu are Ritsurin Koen Park near downtown and Yashima Plateau overlooking the city and the Inland Sea. They are accessible by bus or tram, with terminals at Takamatsu Chikko just opposite JR Station.
30 minutes' walk from JR Takamatsu Station
The busy street in front of JR Takamatsu is the main street of downtown Takamatsu, and leads to the main gate to Ritsurin Koen park, a National Special Scenic spot. This spacious garden laid out with shapely mounds, cool ponds and about 160 varieties of trees and flowers provides a classic example of a Japanese garden or even a Chinese Taoist paradise fit for meditaion.
Originally it belonged to a local warlord, and then to Lord Ikoma. When it was transfrerred to the Matsudairas, they spend five generations developing it into a larger stroll-type garden for their villa. Seasonal charms of flowers and blossoms such as ume(Japanese plum blossoms) in February, camellias in March, cherry blossoms in April, wisteria and azaleas in May, Irises and water lilies in Julne, giant lotuses in August, and Japanese bush clover in Septembur, and brilliant maple leaves in Novembur add to the pieasure of strollimg.
Kikugetsu-tei, one of the pond-side teahouses,was originally one of the Matsudairas' formal buildings. The museam just inside the main gate houses a variety of mostly Iocal handicrafts. There is a zoo, too, inside the gate.
Open daily. Admission to the park: About 300yen.
Bus:30 minutes' ride from Chikko to the terminal (Kotoden Bus for Yashima-sanjo or Yashima Hilltop).
Tram+Cable:30 minutes' tram ride from Chikko to Yashima(Shido-sen Line)+5 minutes' cable-car ride.
Yashima, a pine-wooded tableland to the northeast of downtown Takamatsu, is one of the wold's rare lava mesas, about 290 m high, 3 km wide, jutting 5 km out into the sea.
The hilltop, overlooking the archipelago of the Inland Sea, features Yashima-ji (No.84), an apuarium and observatories, Dankorei, commands a view of the inlet fringed with memorials to the Gempei Yashima Battle (the second last battle in Gempei War fought between the two rival clans, the Minamotos and the Tairas).
Once a British poem, Edmund Blunden, visited Yashima and wrote a poem that was engraved on a stone here at Dankorei observatory:
- Like a long roof, men say, and will they say,
- This hill of warrior ghosts surmounts the plain...
In 794 Kyoto became the capital of Japan and it enjoyed peace for about 350 years (811 - 1155) -the longest peace Japan has ever attained in her history.
The last 30 years of this period, however, were far from peaceful. In 1156 the first battle took place in the capital, thus opening up a new era dominated by martial emotions. Two martial clans-the Minamoto and Taira clans-began to acquire greater and greater influence in politics through fighting against each other in the name of "the Emperor" or "the Ex-Emperor".
In 1159, the Tairas succeeded temporarily in staving off the Minamoto. The 20 years that followed saw the Tairas rise to increasingly control the Imperial Family, inviting animosity from the reigning Emperors, the Ex-Emperors, powerful priests, warriors and Iords, to say notimg of the Minamotos in exile.
In 1181 the patriarch of the clan Taira no Kiyomori died just when the Tairas faced more battles against the Minamotos, who were gradually consolidating their power.
In 1183 the Tairas were driven from the Capital along with the 6-year-old Emperor Antoku and his mother, who was Kiyomori's daughter. They wandered far in search of supporters, while fighting losing battles.
Now in 1185, Minamoto no Yoshitsune attacked the remeining Tairas here at Yashima, then at Dan-no-ura in westernmost corner of the Inland Sea, where the proud Taira finally fell, the noblewomen casting themselves into the sea with the child Emperor Antoku.
Thus the age of ancient nobility yielded to the age of Shoguns(1185-1867)
Yashima-ji Temple treasures in its museum a folding screen depicting the Gempei no Kassen Battles. The bell in the belfry, cast in Kyoto in 1223, was dedicated here for the repose of the defeated Tairas. But no one can strike the bell, as there is no hammer. They say 'Strike the bell, and invoke the ghosts of the Tairas.'
On the last weekend in March the Gempei Yashima Festival is held, whose highlight is the Warriors' Pageant.
It was an insurrection caused by the discord be-tween Emperor Goshirakawa(1127-92) and Ex-Emperor Sutoku (1119-64). Sutoku was defeated and banished to Sanuki (Kagawa Pref.) to die a miserable death 8 year later. His ashes were buried at Temple 81. In 1184 the court elevated him to Shinto deity to placate his ghost.
Minamoto no Yoshitsune (1159-89): By bringing about victory in the civil war, Yoshitsune had greatly helped Minamoto no Yoritomo, his elder brother, who in 1192 was to establish the first Shogunate at Kamakura. But Yoshitsune had to spend the rest of his life escaping Yoritomo, until four years later he killed himself. His tragic life and death was so appealing to Japanese sentiment that he has taken on heroic proportion in Kabuki, Noh and Joruri plays, based on what is called Yoshitsune Literature.
Very few Japanese visit Yashima without being reminded of an episode shown in picture above:
It was on the afternoon of February 19, 1185, that Minamoto no Yoshitsune mounted another surprise attack against the Tairas at the then Yashima Inland. Frightened by the imagined immensity of enemy forces, the Tairas jumped into their boats and sailed off. A fierce battle lasted for hours.
Now the sun was setting. Both sides began to retreat, when a fair vessel parted from the Taira ledions and stopped about 80 m from the beach. Then a beautiful lady appeared from the cabin, produced a pole with a bright red fan on its top and beckoned to the puzzled warriors on the shore.
"What dose she mean?" said Yoshitsune.
"Perhaps she is inviting one of us to shoot the fan. Or she may be inviting you to come out onto the front line for her archers"said his attendant.
"Then let it be shot down by someone," said Yoshitsune.
Soon a young man called Nasu no Yoichi appeared on horseback with bow and arrow in his hands. The north wind was strong. The north wind was strong. The boat was tossing up and down. The fan painted with the golden sun at its center was fluttering on the pole.
All the Tairas in the boats and all the Minamotos on the shore were watcting Yoichi. What would he do? Would he succeed?
Yoichi rode into the water sa far as could. But it was still about 70 m to the target. He closed his eyes and prayed. Then the wind fell for a moment. He shot. The arrow pierced through a little above the rivet. The fan, flying up a moment or two, came floating down, glittering in the setting sun. There was great applause from both sides.
Then a man in armor appeared in the same boat. He began to dance an elegant dance perhaps in genuine appreciation of Yoichi's archery. Then Yoichi got another order and shot down the dancing man, too. Some said, "Good shot!" But others said, "Not fair."
The Tairas were silent this time. Was it a precursor of their demise? Two months later, the Tairas finally.
3 minutes' walk after leaving the bus at Toshogu-mae.
3 minutes' walk from the cable-car station.
This is an open-air museum laid out at the foot of Yashima plateau. About 20 rural buildings from various parts of Shikoku have been reassembled here, including a Farmers' Kabuki Theater, peasants' houses, a fisherman's house, a sugar mill, a shed for steaming mulberry bark to make paper, and workshops for making soy sauce and so on. There is a reprica of Kazura-bashi from Nishi Iyayama-son, too. Open daily: 8:30 - 16:30. Admission: 500yen
On May 5, people including children from Shodoshima Inland, from which the Kabuki Theater came here, stage an annual performance of their traditional farmers's kabuki.
3 minutes' walk from Nihon Tabako-mae Bus stop after 10 minutes' ride JR Takamatsu. (Kotoden Bus: Asahimachi Line)
30 minutes' walk from JR Takamatsu Station.
Japan's largest wax doll museum. The first floor is dedicated to the 41 dolls of historical figures or modern men and woman of celebrity who have been closely associated with Shikoku. The one of Kobo Daishi in his nyujo has its own corner as a special exhibition.
The other dolls include:
Sakamoto Ryoma, Nakaoka Shintaro, Nakahama Manjiro, Wenceslau de Moraes, Inakuma Genichiro, Takahama Kyoshi, Ninomiya Chuhachi, Setouchi Jakucho, Makino Tomitaro, Yasuoka Shotaro , Kagawa Toyohiko, Yokoyama Ryuichi, Terada Torahiko, Abe Yoshishige, Nambara Shigeru, Masaoka Shiki, Kotoku Shusui, Nakae Chomin, Kikuchi Kan, Manabe Hiroshi, Yoshida Shigeru, Itagaki Taisuke
The second floor exhibits about 300 dolls portraying the 17 scenes from the Heike Monogatari or The Tale of the Tairas. The Saga, composed of a large number of revealing episodes, was and still is an inexhaustible scurce of Japanese literature and art. Some of the most famous scenes took place at the foot of Yashima Plateau at the northeastern tip of Takamatsu.
One hi-tech doll seen at the end oh the exhibition is what was called biwa hoshi or a blind biwa-playing bard who traveled around chanting The Tale of the Taira Family even before it was written down in the first half of the 13th century. Its opening passage is especially famous for its Buddhist idea of impermanence that goes as follows:
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